Martin
Scorsese to Direct Documentary on Rolling Stones
Acclaimed
director Martin Scorsese is working on a
documentary starring The Rolling Stones.
Scorsese will
film the band's upcoming concerts at New York
City's The Beacon Theatre between Oct. 29 and
Oct. 31.
It is not clear if the documentary will
encompass the band's entire history or just
their current A Bigger Bang tour.
Martin Scorsese
is the acclaimed director of many
internationally famous films, including Taxi
Driver, Raging Bull and The Gangs
of New York. Mr. Scorsese also has a long
and distinguished career as a documentarian. He
worked as an editor on such documentary classics
as Woodstock, and as a director for
The Last Waltz and the acclaimed Bob
Dylan documentary No Direction Home.
Scorsese
served as Executive Producer for the
Emmy-nominated documentary Eric
Clapton-Nothing But the Blues which explored
the influence of the blues on the music of Eric
Clapton. Also of great significance was
The Blues 6-part television documentary,
which was the culmination of a great ambition
for Scorsese: to honor the music of which he is
so fond, to preserve its legacy and to work
together with skill skilled feature film
directors, who were united in their desire to
celebrate the music, yet who, at the same time,
were free to pursue their own personal visions.

Even Better Salgado News--
Portland musician Curtis Salgado
received a new liver Saturday
evening at an Omaha, Neb., hospital
from a deceased donor. He had been
planning on transplant surgery this
week with a liver donated by a
friend who had traveled with him to
Omaha.
Curtis was in Omaha and ready for
surgery last Tuesday, but the
surgery was postponed due to the
surgical team's schedule. On Friday
they reviewed his lab tests and
upgraded him to being eligible to
receive a full liver (he was
previously ineligible for a
donation, so the friend volunteered
half of hers). On Saturday morning,
a liver was donated, the operation
was done, and Curtis is now out of
intensive care. He'll be in the
hospital for another week, and stay
in the Omaha area for about a month
for observation.
For more information on Organ
Sharing visit
www.unos.org
TOMMY CASTRO
HONORED IN SAN
FRANCISCO
Tommy
Castro
is being honored
on two occasions
in his home town
of San
Francisco. First
of all, San
Francisco Mayor
Gavin Newsom's
office has
announced that
October 14th
will be declared
"Tommy Castro
Day" in
recognition of
his unselfish
efforts in
support of
various
community
projects as well
as his musical
achievements.
Patti Carlise,
the
Entertainment
Arts Liason for
the Mayor's
Office, will
present Tommy
with the Mayor's
Proclamation at
the band's show
at Slim's
nightclub on the
evening of
October 14th.
Castro has been
serving for
years as The
City's
unofficial
musical
ambassador,
taking his
infectious brand
of home-grown,
blue-collar rock
'n' soul music
to every corner
of this country
and numerous
countries
overseas, where
fans always
identify him
with San
Francisco. Says
Castro, "This is
a huge honor.
San Francisco is
the greatest
city in the
country. There's
no place else
I'd rather
live."
The
second honor was
bestowed by the
North Beach
Chamber of
Commerce, which
announced that
Castro's image
will be painted
onto a
building-wide
mural at the
intersection of
Broadway and
Columbus Streets
which depicts
the cultural
icons and heroes
from that
storied
neighborhood's
illustrious
history.
Informed of the
honor, Castro
said, "I'm
excited about
the mural
because that's
where the band
started. We came
out of that
neighborhood, so
this is a big
deal to me!"
When Castro
started his band
fifteen years
ago, they would
play seven
nights a week in
North Beach,
building a
following that
would soon make
them one of the
most popular
acts in The
City, and
launching
Castro's career
as a highly
sought-after
international
performer.
Paul Reed Smith
Guitars Breaks
Ground on
Multimillion Dollar
Expansion
Paul
Reed Smith (PRS)
Guitars, Ltd., broke
ground on a
multimillion dollar,
100,000-plus
square-foot factory
expansion on October
2, 2006. The
expansion is
expected to take
approximately 18
months to complete
and the finished
building will be
five times larger
than the existing
factory space,
presently located in
Stevensville,
Maryland .
Upon
completion, the PRS
factory will be home
to more than 82,000
square feet of
manufacturing and
warehouse space as
well as 18,000
square feet of
office space. the
additional square
footage will provide
room for an
expansive PRS museum
that highlights the
history, innovations
and progress of the
PRS guitar line. New
zones of creativity
are already planned
that include more
room for the
research and
development team to
design, create and
perfect new guitar
models, a sound
recording studio and
additional
photography/art
studio space for the
in-house creative
team.
Clapton looks back
on career

In his 40-year-plus
career, Eric Clapton
has rolled up plenty
of honors - numerous
hits, 18 Grammys and
becoming the first
musician inducted
three times into the
Rock and Roll Hall
of Fame.
He still sells out
arenas across the
globe as fans make
the pilgrimage to
hear one of the
greats in action.
Yet when asked to
give an assessment
of his own play,
Clapton offers a
blunt review that
might seem unkind
coming from someone
else's mouth.
"I think I'm
definitely on the
decline," the
61-year-old said, a
few hours before
kicking off the
North American leg
of his world tour.
He recently watched
video of his 1997
blues tour and says
he was "shocked by
how much more
proficient I was
then than I am now."
"It was a good
thing, in a way,
because I get the
reality of what my
life is like,"
Clapton said. "I
can't do what I used
to be able to do,
with my hands or my
voice or anything."
Still, the guitarist
dubbed "Slowhand"
isn't conceding much
to age.
Five weeks after
touring Europe,
Clapton kicked off
his U.S. and
Canadian tour Sept.
16 in St. Paul,
Minn. It wraps up
Oct. 23 in Miami.
Clapton will then
tour the Far East,
Australia and New
Zealand before
returning to the
United States in
March.
Wearing a workshirt,
blue jeans and tan
shoes - similar to
his concert outfit -
and with his gray
hair cropped close,
Clapton spoke with
The Associated Press
before his St. Paul
show. Though
performing to
thousands is a
routine for Clapton,
he confessed to some
nerves.
"Most people would
probably say, 'Oh,
he sounds OK,' but
we know, you know,
that it will be a
little bit lumpy,"
Clapton said, before
he and his band
blazed through a
two-hour set heavy
on such hits as "I
Shot the Sheriff,"
"Wonderful Tonight"
and "Layla."
Between sips of
mineral water he
spoke openly of
everything from his
recovery from drugs
and alcohol to
coming to grips with
the 1991 death of
his 4 1/2-year-old
son, Conor
(Doubleday plans to
release Clapton's
memoirs - still
untitled - in 2007).
He also spoke about
his glorified status
in rock, which
Clapton says he
takes "with a pinch
of salt."
"At the end of the
day, it doesn't add
up to much. It's
just media
backslapping. But if
I can be friends and
get admiration from
the people that I
admire - musicians
and artists alike -
that's how I kind of
gauge my well-being,
in that arena,"
Clapton says.
Clapton has plenty
of admirers. One is
songwriter J.J.
Cale, whose
"After Midnight" and
"Cocaine" were hits
for Clapton. The two
recently
collaborated for the
joint album "The
Road to Escondido,"
due out Nov. 7.
"I'd probably be
selling shoes today
if it wasn't for
Eric," Cale, 67,
said in a telephone
interview.
Cale said Clapton is
generous to other
musicians and that
was evident in his
St. Paul show, when
he let the young
guitarists in his
band, Doyle Bramhall
II and Derek Trucks,
take centre stage.
"When they're
playing freestyle,
it sounds to me like
they're actually
composing when they
play," Clapton said.
It was Clapton's
work with John
Mayall's
Bluesbreakers as
a young guitarist
that made him an
underground hero in
his native England
in the '60s, a
reaction to the
burgeoning pop
scene. It was then
that the famous
"Clapton is God"
graffiti appeared
around London. He
says he enjoyed the
notoriety but,
later, the
reputation became a
burden.
"It kind of followed
me a little while,
and then, you know,
when I started to
get into the dope
and the drink . . .
I stopped playing
lead. I was just
really getting lazy.
I think I
deliberately, at
some point, tried to
undermine, get rid
of it, you know.
Because the guitar
legend thing was
big, in the early
'70s. And it became
a shackle, you
know."
Besides substance
abuse, Clapton's
life has been
touched by the
deaths of fellow
musicians and
friends such as
Jimi Hendrix, George
Harrison and
Stevie Ray Vaughan.
But it was the death
of Conor - his son
by Italian TV
actress Lori Del
Santo - that was the
hardest for him to
get over. The boy
fell to his death
from a New York
apartment building.
Clapton poured his
grief into the
ethereal "Tears in
Heaven," a Grammy
winner for record
and song of the year
of 1992.
"For a good deal of
the time I was in
just shock and not
able to really look
at what took place
or even look at how
I felt about it,"
Clapton says of his
son's death. "I
didn't consciously
go into denial about
the loss of my son,
but I wasn't able to
really assimilate it
for a long time. And
now I'm a fairly
good place to be
able to understand
all of that."
He is now married to
Melia McEnery, 30,
and they have three
daughters - Julie,
5, Ella, 3, and
Sophie, 1. Clapton
also has a
21-year-old
daughter, Ruth, from
a previous
relationship.
Clapton, who
overcame heroin
addiction in the
1970s, then battled
alcoholism,
underwrote the
Crossroads Centre,
an addiction
recovery centre on
the Caribbean island
of Antigua that
opened in 1998. He
says he's sold most
of his guitar
collection at
auctions to raise
money for the centre
and estimates he has
15 to 20 guitars
now.
He said he's found
he can enjoy life
without the need to
take a drink or a
drug.
"I mean, there was a
time when the first
thing I'd look for
in a hotel room was
the minibar. And I'd
empty it within half
an hour. And then
(think), 'What am I
gonna do now?'
"When I compare that
kind of thinking to
what I have today,
I'll probably go
into the minibar and
get the nuts, you
know. And then I'll
eat all the nuts and
think, 'What am I
gonna do now?' "
Eric Clapton
Rethinks
Playing
"Cocaine"
Eric
Clapton is
playing
'Cocaine' in
concert
again. The
recovering
drug addict
and
alcoholic,
who founded
the
Crossroads
Centre
addiction
recovery
center on
the
Caribbean
island of
Antigua,
stopped
performing
the song
written by
J.J. Cale
when he
first got
sober.
'I thought
that it
might be
giving the
wrong
message to
people who
were in the
same boat as
me,' Clapton
recently
told The
Associated
Press.
'But further
investigation
proved ...
the song, if
anything, if
it's not
even
ambivalent,
it's an
anti-drug
song. And so
I thought
that might
be a better
way to do
it, to
approach it
from a more
positive
point of
view. And
carry on
performing
it as not a
pro-drug
song, but
just as a
reality
check about
what it
does.'
Clapton's
band shouts
out 'dirty
cocaine'
during the
song.
'It's one of
those songs
that you can
take it any
way you
like,'
Clapton told
the AP. 'But
it very
clearly says
in the
opening
verse, `If
you wanna
get down,
down on the
ground,' I
mean,
that's, I
think, the
focal point
of the song.
That's what
the song's
about, is
that, you
know,
there's a
price.'
Clapton also
said he
missed
playing
'Cocaine,'
with its
signature
guitar riff,
'just purely
from a
musical
point of
view.'
Six-Sided Harmonica (no this is not a typo)
Made by the renowned Hohner instrument company founded in Germany in 1857 and manufacturer of harmonicas used by such Blues luminaries as Howlin Wolf, Little Walter, and Junior Wells, this unique musical instrument, which has been in continuous production since before 1900, combines six harmonicas into a single component, creating the largest tonal range available in any Hohner tremolo model.
Tremolo harmonicas employ two reeds per note, and each harmonica on this instrument has 24 double holes for a total of 48 reeds per harmonica that produce a warm vibrato characteristic of the world-famous Hohner sound. Each harmonica is tuned to a different key: C, D, F, G, A and B flat, and each comb (the central air chamber component) is made of maple for a rich, full tone. The harmonica can be played in its unified wheel-mount form, or dismantled for individual play. |
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Most Popular Funeral Songs
James
Blunt is the most popular
musician to soundtrack a
funeral, it has been confirmed.
The star came top of a British
poll conducted by the
Bereavement Register, which
surveyed 5,000 U.K. funerals in
compiling the chart.
Mark Roy, of the Bereavement
Register, commented: "The top 20
really shows how far we have
come in terms of saying goodbye.
Gone are the dirges of yore,
instead we are seeing
contemporary music that is
easier to relate to. Everyone
has a favorite song that means
something very special to them,
often connected to a particular
time and place. When the song is
played this can be a very
emotive reminder of that person
and a reassurance in our time of
grief."
The full top 20 is as follows:
1. "Goodbye My Lover," James
Blunt
2. "Angels," Robbie Williams
3. "I've Had The Time Of My
Life," Jennifer Warnes & Bill
Medley
4. "Wind Beneath My Wings,"
Bette Midler
5. "Pie Jesu," Requiem
6. "Candle In The Wind," Elton
John
7. "With Or Without You," U2
8. "Tears In Heaven," Eric
Clapton
9. "Every Breath You Take," The
Police
10. "Unchained Melody,"
Righteous Brothers
11. "Danny Boy," Daniel
O'Donnell
12. "Time To Say Goodbye", Sarah
Brightman
13. "What A Wonderful World,"
Louis Armstrong
14. "Knocking On Heaven's Door,"
Bob Dylan
15. "I Don't Want To Miss A
Thing," Aerosmith
16. "Bright Eyes," Simon &
Garfunkel
17. "Eternal Flame," The Bangles
18. "I'll Sleep When I'm Dead,"
Bon Jovi
19. "Want To Live Forever," Fame
20. "Reach For The Stars," S
Club 7
Robert
Plant
To
Play
Fundraising
Gig
for
Neighbor
Robert Plant is playing a fundraising gig to pay for his neighbor's medical expenses. The kind-hearted singer will perform under the name The Honeydrippres when he takes to the stage at Kidderminster Town Hall in England on December 23.
Billed as 'The Return Of The Honeydrippers', the concert is designed to raise funds for Jackie Jennings to pay for treatment for a brain tumour in Boston, Massachusetts. The treatment costs $180,000, of which Jennings has already got $135,000 together. Plant hopes his fundraiser will raise the remaining $45,000 needed.
The Honeydrippers' 1984 album featured Jimmy Page and Jeff Beck, although it is unclear whether either guitar great will join Plant in December.
LA TIMES REPORTS ON THE DELTA

Delta, land of sweet misery
In the Mississippi birthplace of the blues, the music pours from the clubs and juke joints. You won't find it more authentic than this.
By Joshua Clark, Special to The Times
October 1, 2006
"SOME call it boogie-woogie, some call it blues; I got my rhythm from a fox-trotting mule!" croons James "Super Chikan" Johnson as his golden retriever twirls between his stomping feet, howling right along.
Super Chikan winces with the ecstasy of every note as he puts the hurt on his new slide guitar. This isn't just any guitar; it's an electric "Chikantar" he built himself, using a cigar box for the body, a muffler bracket for a tailpiece, a screen door handle for a bridge, an ax handle for the neck, a piece of cyclone fence for reinforcement and a cabinet door latch for a nut. And, of course, his trademark rooster head is carved into the end.
The instruments double as folk art on which Johnson paints scenes of his native Mississippi Delta, and they have made some scenes themselves, including the Delta's largest blues festival. "Man, I tore that audience up at the Sunflower Festival last summer," he said. "Dude who was headlining after me got up in a rage, said I didn't leave nothing left for him."
Johnson is sitting in his Clarksdale studio just down the road from the crossroads of two highways — U.S. 49 and U.S. 61 — the solar plexus of blues traveling, where legend has it that another bluesman, Robert Johnson, sold his soul to the devil so he could play this music.
From Robert Johnson and others, a tradition spread that has made this landscape world famous. Super Chikan's unique sound is yet another thing that Chicago and Memphis, Tenn., will never have. Nor will New Orleans, on whose streets the other true American art form, jazz, was born.
In fact, my friend Ellen and I drove five hours from the Big Easy, searching for the roots to the blues. We found them within an hour of Clarksdale, this northernmost focal point of the Delta. Our blues tour was a weekend getaway, one full of warm smiles, good food and Southern hospitality.
Like Chikantars, which are mostly made from scrap, the blues — came from what few things people had.
"I started out with nothing and still got a whole lot of it left," Super Chikan says. "Heck, got a master's degree in being poor and broke.
"I'm left-handed, left-footed, left-brained and left out," he says. A couple of bulbs dangle from his low studio ceiling, where late afternoon sheds blue light through the three small windows. Innumerable paint tubes, brushes, power tools and wrenches are strewn about.
He runs his hand over his latest Chikantar, a portrait of Robert Johnson freshly dried on its front. Like Johnson, Chikan is on the verge of becoming one of the rare Delta musicians to get the credit they deserve. "Fixin' to take this one to Japan," he says, beaming.
"The governor and I are goin' to represent Mississippi."
I ask how long he's been playing.
"Oh, not too long," he says with a sigh. "About 100 years."
One hundred years ago and 15 miles south, composer W.C. Handy was sitting at a train depot and heard a man playing a guitar: "His clothes were rags; his feet peeped out of his shoes. His face had on it some of the sadness of ages…. [It was] the weirdest music I had ever heard." No one knows who the guitarist was, but Handy put a color to the sound, and the "blues" was born.
A rich land
THE Delta, which historian James Cobb dubbed "the most Southern place on Earth," is a 7,600-square-mile region of northwestern Mississippi. It begins 400 miles north of the actual Mississippi River delta. Before the levee was built, the river flooded here, forming an alluvial plain of black earth, one of the world's most fertile regions. And it's so flat that the only hills here are Indian burial mounds.
Fertile ground for both crop and creativity, it has arguably produced more music and literature than any other landscape in our country. Besides giving birth to the blues, it has produced myriad writers, including Tennessee Williams, Walker Percy and Donna Tartt. King cotton made a few rich and enslaved the poor. But letters and musical notes came free to all.
And it looks like they'll be coming for a while longer.
From Super Chikan's, we head over to actor Morgan Freeman's club, Ground Zero, also in Clarksdale. A Wednesday-night smattering of locals and tourists pounds pool balls, the dance floor, catfish and cocktails in the warehouse-size venue decorated with Christmas lights and graffiti.
Sitting alone at his own table — a domain Freeman set aside for him — is a fellow called Puttin'. As far as anyone knows, that's the only name he has. There he sits with his deck of cards, waiting to gain the confidence of his next victim using a scheme called the three-card monte.
After Ellen and I graciously lose a few bucks, we hit the dance floor.
It's open-mike night, hosted by Homemade Jamz, a band that boasts of once opening for Super Chikan. The oldest member is 13, but "Can they jam!" says a man old enough to be their grandfather.
The handwritten sign outside says: "NO RAP MUSIC, JUST BLUES AND OLDEST."
A giant fan pushes heat and bugs outside. Our eyes and ears adjust to the closeness and darkness. Anything and everything, from disco balls to baby dolls, hangs from the ceiling and walls. Tonight, Cadillac John's playing to raise burial expenses for his son. Talk about the blues. They're so palpable you could swallow the color. And yet sorrow expressed yields joy. It's all smiles here.
Willie "Po' Monkey" Seaberry's grin blows his cheeks up like softballs. He sits, sipping Gatorade, surveying his domain. College kids, musicians and farmers jam the tables and dance floor as Seaberry's sister sells $1.50 beers and soda out of his kitchen refrigerator.
"So why do they call you Po' Monkey?" I ask him.
"Cause I'm a po' monkey!"
Seaberry just slaps me on the back, offers me the grand tour of his home. The only room that isn't part of his club is his bedroom — a mattress squashed flush between walls coated with old suits and hats — which shares a wall with the dance floor.
"I's up till 3 a.m. last night running the club," he says with a sigh. "Got on my tractor 6 a.m. this morning, drove two miles to the field I work, then back here to open the place again tonight."
He smiles a smile that should someday make its way onto a Chikantar and says, "This is not some House of Blues. It's the house of blues."
To listen to samples of Super Chikan and other blues musicians, go to latimes.com/blues.
Paul McCartney gets back rights to Beatles Songs
Sir Paul McCartney is to get his hands back on the rights to The Beatles back catalogue of songs - which he l ost 21 years ago.
The musician lost the rights to the majority of the Fab Four's hits to then close friend Michael Jackson in a bidding war in 1985.
Jackson paid nearly £40 million for the collection leaving McCartney, who dueted with Jackson on worldwide hit 'The Girl Is Mine' in 1982, fuming.
Now the former Beatle has learned the rights to many of the songs, which include 'Come Together' and 'Getting Better', are set to return to him automatically.
He revealed to Britain's Dai ly Express newspaper: "In about 10 years a lot of the back catalogue returns to me, just legally. Some of the important rights are about to return which I didn't realize."
McCartney, 64, has previously admitted he hates the fact he has to pay Jackson money every time he plays one of his own songs on tour.
He recently said: "You know what doesn't feel very good is going on tour and paying to sing all my songs. Every time I sing 'Hey Jude' I've got to pay someone."
Jimi Hendrix Audio Recordings, Rare Video & More To Be Auctioned Oct. 26
The largest collection in the world of Jimi Hendrix music, film, and artifacts is going to be auctioned on October 26 at Capitale in New York City. This remarkable lot, which contains more than 15,000 Hendrix assets, is considered by industry experts to be the most comprehensive Jimi Hendrix collection in existence.
Jimi Hendrix is the ultimate rock icon, with his influence still resonating throughout music, fashion and popular culture nearly 35 years after his untimely death. His handful of releases still sell well more than 1 million copies a year worldwide; his songs and image are a constant presence in the world of advertising -- whether on the covers of magazines, on television or on the internet.
The main attraction in this lot is certainly the group of nearly fifty 7" reel-to-reel tapes usually referred to as the "Personal Reels of Jimi Hendrix." These are thought to be Jimi's own tapes of studio mix-downs, jam sessions and band rehearsals, which contain a conservative estimate of sixty hours of unreleased material.
This massive video and film archive contains hours and hours of rare video and film footage in all formats -- digital U-Matic tapes, 8mm, 16mm and 35mm film -- and contains an incredible wealth of footage of Jimi Hendrix, live in full blaze of glory, as well as backstage with fans.
This mammoth collection features nearly a thousand unseen photographs by the biggest names in rock photography -- Henry Diltz, Shep Tullier, Tom Copi, John R. Gossage, Baron Wolman, David Sygall and Nona Hatay.
Aside from the audio/visual and photographic assets, the collection contains a world-class inventory of other valuable Jimi Hendrix pieces. Some highlights include personal items, such as one of Hendrix's favorite buckskin fringe jackets, a silk shirt, and a guitar believed to be the only left-handed one he ever owned; promotional materials for virtually every Hendrix release, including a prop from the photo shoot for the notorious original 1968 UK Track Records version of Hendrix's magnum opus, "Electric Ladyland,"; the most complete collection of Hendrix LPs and 45s known to exist; as well as tickets, handbills, psychedelic posters, and other elements of interest to rock memorabilia collectors across the globe.
For more information on The Jimi Hendrix Collection, The Ocean Tomo Fall 2006 Live Intellectual Property Auction, please call (312) 377-4851.
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The Blues Festival E-Guide and
Sonicbids
are proud to introduce you to our
next "Blues Artist on the Rise"
Graham
Wood Drout and Iko-Iko
.
Award-winning "swampadelic" Roots/Rock band,
Iko-Iko is about great songs and
performances. They reaches audiences with
musicianship and energy beyond "jam band."
Drout's songs are covered by artists of
various styles. Work appears in films, "Cape
Fear" and "Contact" plus radio and TV.
Their live shows
include a mix of originals with updated
covers to Muddy Waters, John Prine, Van
Morrison, and other songs with a new edge
and vocal harmonies over a backbeat.
The band was formed in
1982. Now 24 years and 5 CDs later, Graham
Wood Drout is the one constant and
continuing member of the original line-up.
2006
- The Bittersweet Sessions, Little Silver
LSR05-001
2000
- Shine, Little Silver LSCD005
1996
- Protected By Voodoo, Little Silver LSCD001
1991
- Riding on The Rims - Live, Little Silver
(out of print)
1986
- Snowstorm in The Jungle, Kingsnake (out of
print)
Graham Wood Drout and Iko-Iko can be found
performing somewhere in Florida every single
weekend.
Oct 6 2006 10:00P/Alligator Alley Ft.
Lauderdale, FL
Oct 13 2006 10:00P/Tobacco Road Miami, FL
Oct 16 2006 10:00P/Tobacco Road Miami, FL
Oct 21 2006 8:00P/Hollywood Arts Festival
Downtown Hollywood, FL
Oct 21 2006 9:30P/Sushi Blues Hollywood, FL
Oct 23 2006 10:00P/Tobacco Road Miami, FL
Oct 27 2006 9:00P/Pirates Den Cutler Ridge,
FL
Oct 30 2006 10:00P/Tobacco Road Mia,mi, FL
Oct 31 2006 9:00P/O'Hara's Halloween Howl
Ft. Lauderdale, FL
Nov 1 2006 7:00P/Graham Wood Drout's Day of
the Dead art show Miami, FL
Nov 4 2006 9:30P/Sushi Blues Hollywood, FL
Nov 18 2006 12:00P/Fernstock!!! Homestead ,
FL
Dec 22 2006 10:00P/Green Parrot Key West, FL
Dec 23 2006 10:00P/Green Parrot Key West, FL
Dec 31 2006 9:30P/Sushi Blues New Years Eve
Hollywood, FL
For more information visit:
www.iko-iko.com,
or
http://www.myspace.com/grahamwooddroutsikoiko
or
http://www.sonicbids.com/IkoIko
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Attention
Promoters:
Know your 2007 festival dates?
Get a head start and post them
today on
www.bluesfestivalguide.com. It is easy and free.
Hear and
see the Blues in Traverse City, MI
Photographers show off
gritty portraits of blues artists
Photographer
and radio host Robert Barclay brings
his blues works to the Dennos Museum
Center.
TRAVERSE
CITY — Sight will meet sound when the
Dennos Museum Center exhibits about 25
photos of blues musicians to coincide
with its series of blues concerts.
The
exhibit and concert series will both
kick off on Saturday, Oct. 7, when Rod
Piazza and the Mighty Flyers appear in
concert in Milliken Auditorium.
The
photos featuring the gritty world of
blues — and such artists as Memphis
Slim, Albert Collins, Junior Wells
and Sippie Wallace — are the work
of Robert Barclay of Mt. Pleasant
and David Fox of Traverse City,
both of whom have photographed top blues
artists for years.
"Blues
men and women were so accessible,"
Barclay said, talking about why he
started shooting them after having taken
pictures of such rock artists as Bob
Dylan, Elton John and Bruce
Springsteen.
"I didn't
get the attitude that you'd get from
some rock star's agent," he said. "You
don't have to have Rolling Stone
(magazine) behind you to get to even the
top blues artists."
One of
his favorite shots is one he took of the
late Johnny Shines, who had
played with the legendary Robert
Johnson, when Shines was in Michigan
to attend the Wheatland Music Festival
in the 1980s.
Shines
has his guitar case under his seat, with
his name and address roughly painted on
it, obviously for practicality rather
than for show.
"I just
liked the way he printed his name on his
guitar case," Barclay said. "Nowadays,
musicians would probably have it
professionally stenciled on."
Some of
the images show artists performing,
while others are portraits or show them
in other settings.
Barclay
has attended many blues concerts to get
the shots. He also works as a
photographer for Central Michigan
University and is host of "The Juke
Joint," a weekly blues show on CMU
Public Radio.
Fox has
gotten many of his pictures working as a
photographer for the Mississippi Valley
Blues Festival in Davenport, Iowa, and
attending other blues festivals.
He has
taken pictures of such artists as B.B.
King, Dr. John and Willie Kent,
he said.
The
exhibit will be in the display cases in
the lobby of the auditorium and Barclay
said he hopes to be there for the event,
said Rob Weiler, performing arts manager
for the museum.
Harmonica
player and singer Piazza and the Mighty
Flyers will play their varied styles of
blues in a concert at 8 p.m. Oct. 7.
The other
blues concerts will be:
•
Saffire — The Uppity Blues Women,
Saturday, Nov. 18.
• Mr.
B and Bob Seeley, two blues and
boogie woogie pianists, Saturday, Jan.
13.
• Joe
Bonamassa, guitarist whose band has
opened for B.B. King, Friday, Feb. 2.
The
photos will remain on exhibit until
Sunday, Feb. 11, and can also be viewed
by museum goers who are not there to see
one of the concerts.
Bank cooks up major
blues fest
Promoters hope to spark annual event.
Grammy
Award-winning blues musician Chris Thomas King was
on hand this morning at Courthouse Square to sing
and promote the Roots ’N Blues ’N BBQ Festival
planned for Sept. 7-8, 2007
By
KEVIN COLEMAN of the Tribune’s staff
Published Thursday, September 28, 2006
(Columbia, Missouri) Boone
County National Bank plans to celebrate its
150th anniversary next year by hosting a free blues
festival city leaders hope will become an annual
event that could draw thousands of people downtown.

"We’ll start it and see what happens," bank Chief
Executive Officer Steve Erdel said this morning.
Erdel called the planned music and food festival
"formidable and interesting." He said it will
feature up to 20 bluegrass, gospel and folk
musicians from throughout the nation, including
King.
Promoters said it stands to generate more than $7
million in local economic activity. MU economist
James Kaufman said a similar event launched in 1983
in Lexington, N.C., population 18,000, attracted
30,000 people its first year. More than 120,000 now
attend every year.
Lorah Steiner, executive director of the Columbia
Convention and Visitor’s Bureau, called the upcoming
festival an "amazing undertaking" that "breaks new
ground" and could add another annual event to the
city’s lineup of tourist attractions.
Columbia Mayor Darwin Hindman, who accepted a guitar
signed by King this morning, called the festival a
significant gift to the city and "a huge amount of
fun."
"Boone County National Bank and the city of Columbia
came close to growing up together," he said.
King, 42, had roles in the movies "Ray" and "O
Brother, Where Art Thou?" His latest album, "Rise,"
was inspired by the destruction caused by Hurricane
Katrina. He lost his home and studio to Katrina. He
said some New Orleans areas such as the French
Quarter have been rebuilt, but not the
neighborhoods.
"It’s bad," he said.
Erdel said the bank has just launched the planning
process for next year’s festival and has no
information yet on ticket prices or other details.
He said marketing manager Mary Wilkerson would
spearhead the planning. She packs her bags next
month for a bank-sponsored blues festival in North
Carolina to learn the ropes.
"We’ll find out what works, and we’ll copy it,"
Wilkerson said. "We’re not going to reinvent the
wheel."
Boone County National Bank was established in 1857
as the Prewitt & Price banking house. The bank,
acquired in 1974 by Jefferson City-based Central
Bancompany, has more than $1 billion in assets and
16 branches throughout Mid-Missouri.
'Greener Festival' Launches
U.K.
music festival organizations and operators have
joined forces to launch a new Web site that
promotes more environmentally efficient outdoor live
events.
Called
A Greener Festival, the not-for-profit project
aims to encourage music festival organizers to
debate and share best practices that ensure large
outdoor music events limit damages caused to the
immediate surroundings.
Among the topics of debate to be tackled on the new
Web site are the impact of waste, traffic, carbon
dioxide emissions, noise, water pollution and land
damage before, during and after music festivals.
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The Blues
Festival E-Guide will be following for
the next several weeks the blues travels
of newlyweds Tom Yearnshaw and Cheryl
O'Grady. Cheryl is a sales rep for The
Blues Festival Guide magazine, enjoying
the fruits of her labors.
ON THE BLUE HIGHWAY WITH TOM AND CHERYL
(Installment # 5)
We’ll it’s wrap-up time for our trip and there is so
much you could talk about, but we can’t miss the
food highlights and a chance meeting with Big
Jack Johnson.
Barbeque, BBQ, and More – Across 13 states,
there are many opportunities to sample BBQ -- read
that ‘Smoked Meat’ – we’re not talking burgers and
hot dogs!!! Here are three favorites, in order of
appearance along the way.

Willie Mae’s Rib House (321 W Broadway St, West
Memphis, AR) – We were drawn to West Memphis because
it was the once the home of Willie Johnson,
the wild, talented, often unheralded guitarist on
Howlin’ Wolf’s early recordings. Johnson’s creative
guitar licks -- he was an early influence on his
replacement, Hubert Sumlin -- met Wolf’s raw
country blues style head-on, and while the two
reportedly fought as often as they collaborated,
Johnson helped forge a sound that laid the
foundation for much of what was to follow. We went
to West Memphis to see if we could learn something
about Willie Johnson. Instead, we found Willie Mae’s
Rib House, definitely a down home joint located on
old Hwy 70 in the middle of an older part of town.
Juicy ribs, tangy-sweet sauce. Greens are the pick
of the sides. Dine in the bare-bones dining room or
take out.
E & L Barbeque (1111 Bailey Ave, Jackson, MS) –
You can spot E & L by the plume of smoke from the 10
foot tall stack on the roof. Looks like an old
coal-burning steam locomotive, and coincidently, E &
L is close to the rail yards. There’s only one
variety of sauce at E & L -- just right for Cheryl
but a bit bland for Tom -- but the tasty rub,
applied to ribs smoked to perfection makes a stop at
this restaurant a must. Again, dine in or take out.

Big Jack Johnson – Big Jack is a Clarksdale
institution, but we missed seeing him play by
several days. While talking ‘smoke’ at Big Jim’s one
evening, Jim says Big Jack is a customer, lives
nearby, and we should drive up the road a couple of
blocks to take a look at his house and yard, which
are decorated with a multitude of farm tools and
equipment. About that time, Jim points across the
street toward a pickup turning into the mini-mart.
“That’s Big Jack right there,” so we trekked across
Hwy 61 for a bit of gab and got a few photos. Tom
showed him the digital viewer and Johnson says, ever
the character, “Hey, I look good. I need to get my
picture taken in this pickup all the time.”

Unusual Mississippi Food (Pig Ear Sandwich) --
It isn’t unusual for Mississippi, just unusual for
us! Tom sampled one from E & L Barbeque. About all
he could say was that he’d stick to BBQ, and he got
a “second” from his nephew Thomas in Denver, who
also tried a bite. By the time the frozen remnants
arrived in California, Tom’s dad and brother just
turned up their noses and walked off. No offense to
the folks at E & L -- a lady in line said, “My
husband just loves these” – but this must be an
acquired taste.
Just like everything about our trip the BBQ joints
were an adventure and if they were playing music it
was Blues and the folks were always eager to share
there blues stories. We all know BBQ and Blues go
together like peanut butter and jelly!
Stay tune for next week and some final tidbits and
reference material to make your trip to the South
the best it can be!
Back on the Blues trail,
-- Cheryl and Tom
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Thursday-Saturday,
October 5-7,
2006
Carolina
Downhome Blues
Festival
10 venues
Camden, South
Carolina, U.S.
www.bluesbash.com/camden
Hotline:
843-762-9125
Thursday-Saturday,
October 5-7,
2006
Arkansas Blues
and Heritage
Festival
(formerly the
King Biscuit
Blues Festival)
Cherry Street
Helena,
Arkansas, U.S.
www.bluesandheritage.com
Hotline:
870-338-8798
Friday-Sunday,
October 6-8,
2006
Bayfest Mobile
Downtown Mobile
Mobile, Alabama,
U.S.
www.bayfest.com
Hotline:
251-208-7835
Friday-Sunday,
October 6-8,
2006
Gretna Heritage
Festival
Gretna,
Louisiana,
U.S.
www.gretnafest.com
Hotline:
888-447-3862
Saturday,
October 7, 2006
Rawa Blues
Festival
Spodek
Katowice, Poland
www.rawablues.com
Hotline: none
Saturday,
October 7, 2006
Daytona Beer &
Blues Festival
Daytona
Beach, Florida,
U.S.
Hotline:
386-253-1760
Saturday-Sunday,
October 7-8,
2006
Central Valley
Blues Festival
Merced
Courthouse Park
Merced,
California, U.S.
www.centralvalleybluesfestival.com
Hotline:
209-383-4958
Saturday-Sunday,
October 7-8,
2006
Napa Valley
Blues Festival
in Calistoga
Calistoga,
California, U.S.
Hotline:
707-942-6333
Sunday,
October 8, 2006
Cat Head Mini
Blues Fest
Clarksdale,
Mississippi,
U.S.
www.cathead.biz
Hotline:
662-624-5992
Friday-Saturday,
October
13-14,
2006
Blues
Masters
at
the
Crossroads
Salina,
Kansas,
U.S.
www.blueheavenstudios.com
Hotline:
785-825-8609
Friday-Sunday,
October
13-15,
2006
Festivals
Acadiens
Girard
Park
&
Downtown
Lafayette
Lafayette,
Louisiana,
U.S.
www.festivalsacadiens.com
Hotline:
800-346-1958
Saturday,
October
14,
2006
Columbia's
12th
Annual
Blues
Festival
Dr.
Martin
Luther
King,
Jr.
Memorial
Park
Columbia,
South
Carolina,
U.S.
www.wordofmouthproductions.org
Hotline:
803-783-6420
Saturday,
October
14,
2006
Rowan
Blues
and
Jazz
8th
Annual
Festival
200
W.
Fisher
Street
Salisbury,
North
Carolina,
U.S.
www.rowanbluesandjazz.com
Hotline:
704-636-3277
Saturday,
October
14,
2006
Ric
Strome
Memorial
Blues
Rumble
Bowens
Island
Charleston,
South
Carolina,
U.S.
www.bluesbash.com
Hotline:
843-762-9125
Saturday,
October
14,
2006
Bluesapalooza
Rude
dog
bar
&
downtown
Covina
Covina,
California,
U.S.
www.rudedogbar.com
Hotline:
626
332-3665
Sunday,
October
15,
2006
Blues
Heritage
Fall
Festival
2006
Reid
Park
Tucson,
Arizona,
U.S.
www.azblues.org
Hotline:
520-795-3076
Sunday,
October
15,
2006
Ric
Strome
Memorial
Blues
Rumble
Bowens
Island
Charleston,
South
Carolina,
U.S.
www.bluesbash.com
Hotline:
843-762-9125
Saturday, October 21, 2006
Hatchie Fall Festival
Historic Downtown - Brownsville
Brownsville, Texas, U.S.
Hotline: 731-780-1641
Saturday-Sunday, October 21-22, 2006
Mountain Cove Blues Festival
Mountain Cove Vineyards
Lovingston (Nelson Co.), Virginia, U.S.
www.jamesriverblues.org
www.mountaincovevineyards.com
Hotline: 434-237-8080
Saturday-Sunday, October 21-22, 2006
Kentuck Festival of the Arts
Kentuck Park
Northport, Alabama, U.S.
www.kentuck.org
Hotline: 205-758-1257
Thursday-Sunday, October 26-29, 2006
Östersund Bluesfestival
Östersund, Sweden
www.jamtblues.nu
Hotline: +04670551866
Friday-Sunday, October 27-29, 2006
Bluesfestival i Eslöv
Eslöv, Sweden
www.bluesfestival.2ya.com
Hotline: +46 413 540619
Saturday, October 28, 2006
Sweetgum Bottom Blues Festival
Greenville, Alabama, U.S.
www.sweetgumbottomblues.com
Hotline: 334-382-8729
Saturday, October 28, 2006
16th Annual Carl Black GMC Sarasota Bluesfest
Ed Smith Stadium
Sarasota, Florida, U.S.
www.sarasotabluesfest.com
Hotline: 941-377-3279
Friday-Sunday, November 3-12, 2006
The 12th Annual Lucerne Blues Festival
Casino Lucerne
Lucerne, Switzerland
www.bluesfestival.ch
Hotline: none
Saturday-Sunday, November 4-5, 2006
Blues Bash 3
Out-doors (TBA)
Taipei, Taiwan
www.bsot-bluesbash.info
Hotline: none
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more festival listings available at:
www.BluesFestivalGuide.com
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Festival listings are believed to be correct.
Please contact the promoter directly for more information.
Are you a blues festival promoter? Post your festival at
www.bluestestivalguide.com/post_festival.shtml
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