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Brought to you by our sponsors:
29th Mississippi Delta Blues & Heritage Festival Legendary Rhythm & Blues Cruise CONTENTS
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LAST WEEK TO ENTER !!! Winner's will be announced next week! |
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Contest ends September 12th If you haven't entered do it NOW! If you have already entered, thank you. No need to enter again.
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CURRENT EVENTS SPURRED JOHN LENNON DOCUMENTARY TO GAIN STEAM
David Leaf, one of the film's directors, told The Hollywood Reporter that "it really wasn't until the post-9/11 world that we started to get traction, particularly in the wake of the invasion of Iraq when people at the studios and the networks started to feel that this story about something that happened a long time ago might have some contemporary relevance and resonance." Leaf, who wrote, produced and directed the film with partner John Scheinfeld, told us that Lennon's music almost serves as one of the film's narrators: "One of the things that so remarkable to me about John's music in this movie, is that it sounds as if these songs were written specifically for the film. The music advances the story, it tells us what John was feeling, and when we're looking at events that John wasn't part of, the music allows John to comment on them. So, it really is a gift that we've got almost 40 John Lennon songs in this movie." The U.S. vs. John Lennon opens in New York and Los Angeles on September 15th, followed by a wider release at the end of September. The film's soundtrack, which will be released in September 26th, includes such Lennon solo classics such as "Give Peace A Chance," "Imagine," "Power To The People," "Instant Karma (We All Shine On)," "Nobody Told Me," "Happy Xmas (War Is Over)," along with rarer album cuts such as "New York City," "Working Class Hero," "Attica State," "Here We Go Again," "How Do You Sleep?," and "I Don't Wanna Be A Soldier Mama."
FUTURE OF MUSIC COALITION TO OFFER FREE HEALTH INSURANCE ADVICE TO MUSICIANS
The Washington DC-based
non-profit organization
Future of Music Coalition
has implemented a health insurance guidance program
for musicians called the Health Insurance
Navigation Tool (HINT). To assist the
well-being of U.S. -based independent art and music
curators, the HINT program will provide
information at the FMC website
www.futureofmusic.org/hint
and will also offer free phone consultations with
experts to discuss affordable health coverage
options available to artists and musicians. Survey results available online at www.futureofmusic.org/research/healthsurveyresults.cfm
Yet, in the case
of those who lack health insurance and delay or
forego health care until situations get desperate,
or as a result of a catastrophic event, patients can
very easily find themselves in an even more dire
situation, accumulating medical bills that may leave
them with hundreds of thousands of dollars of debt. BLUES FOUNDATION MEMBERSHIP PUSH CONTINUES
We have some pretty good premiums these days at each and every level of support. And only members are allowed to cast their vote for the Blues Music Awards. Think how important that is to your favorite nominee. And once again, all members are included in the November 1 drawing for the last cabin on the January 2007 Legendary Rhythm and Blues Cruise. Join today at www.blues.org. For more information about the Legendary Rhythm and Blues Cruise visit www.bluescruise.com. --Jay Sieleman, Executive Director for the Blues Foundation
JOIN TODAY! If
you are 14-20 years old it's FREE. Otherwise
membership levels start for as little as $25 a
year.
Record Label News:
NEW BLUES CLUB
The NEW OWNERS of the The Stanhope House in Stanhope NJ have made a serious re-commitment to bring the Blues back in and welcome patronage by members of local Blues societies. The Stanhope House is a circa 1790 Hotel and Stagecoach Stop that featured the best in National Blues acts for decades,including Muddy, John Lee Hooker, Willie Dixon, Albert Collins, Snooky Pryor, Buddy and Junior, Jimmy Rogers and hundreds MORE. It sits just a few miles off of Route 80 about 40 minutes from NYC in the woods of NJ. It is a wonderful music room. For more information visit (http://www.stanhopehouse.com/) Roots Music Report Announces Recipients of its 2006 Radio Stations of the Year Award
The award serves to recognize the stations commitment to and support of its roots based genre. "These stations seem to give all artist a chance to be heard," says RMR owner/operator Robert Bartosh. "They are all consistent reporting stations to our charts and contribute immensely to the roots music movement." Designated honors for 2006 were presented to the following stations: Bluegrass - WTCR - Huntington, West Virginia Roots/Americana - KRVL - Kerville, Texas Roots/Rock - XCountry - Satellite True Country - KMCO - McAlester, Oklahoma Western Swing - KBEC - Waxahachie, Texas Folk - KCLC - St. Charles, Missouri Blues - Blues Deluxe - Arlington, Texas
Jazz - WFDU - Teaneck, New Jersey
"Nothing But the Blues" with E.B. Fisher and "Sounds of Blue" with Bob Putignano (who is also President of the The New York Blues Society) Congratulations to all! MYSPACE AND SNOCAP ANNOUCE MAJOR DIGITAL MUSIC PARTNERSHIP
The MySpace and SNOCAP music service is expected to be available broadly in the United States by the end of 2006. BLUES ARTISTS ON THE RISE
FESTIVAL REPORT Come home to the blues at the 29th Mississippi Delta Blues & Heritage Festival on September 16 in Greenville, MS. Entertainers include Denise LaSalle, Steve Azar, Mel Waiters, Jerry Kattawar, T Model Ford, and many others. The Festival is sponsored by M.A.C.E., a non-profit that will use the proceeds for preserving the heritage of the Delta, assisting Katrina and Rita evacuees, and helping the New Orleans Musicians Hurricane Relief Fund. For more information, please visit www.deltablues.org and www.nomhrf.org. The Blues Festival E-Guide will be following for the next several weeks the blues travels of newlyweds Tom Yearnshaw and Cheryl O'Grady. Cheryl is a sales rep for The Blues Festival Guide magazine, enjoying the fruits of her labors. ON THE BLUE HIGHWAY WITH TOM AND CHERYL It’s Just A Family Affair…
Years ago, DC’s grandmother ran a “corn whiskey house” on this hallowed site in rural Oklahoma. When DC and Selby decided to take some of the “move” out of their road-weary band, “Blues On The Move,” DC grabbed Selby and headed “back home,” where they moved into Grandma’s old place, settled into the ‘quiet life in the country’ (HA!!!), and set part of their house aside to be ‘The Down Home Blues Club’. Dusk Til Dawn -- that’s 5 PM to 5 AM, folks, ‘cause it’s usually warm in Rentiesville in the daytime -- grew from its origins as an annual event at the club. A few years back, as the show got bigger, DC and Selby converted their unofficial not-for-profit child into a full fledged, official 501(c)(3) non-profit ‘teenager,’ including many from their dedicated ‘family’ of volunteers on the Board. Everything about Dusk Til Dawn is a ‘family’ affair. The Minners are still very dedicated and integral to the show, taking the lead role in organizing and presenting the event and in performing twice nightly for the three-day show. Their extended ‘family’ includes 12 Board Members, over 100 volunteers, and thousands of dedicated fans. Many of these folks have been returning each year since the very beginning. Several weeks before the show, volunteers, some who come several thousand miles to help, begin to work the magic that transforms the ‘back forty’ into the festival site. Three-foot tall grasses are mowed into a comfortable ‘lawn.’ Power is run so vendors can sell t-shirts, jewelry, barbeque, fried fish, candy, ice cream, and even ‘fried pies.’ The Kid’s Village sprouts up around an old school bus (the Kid’s Village is just too much and gets a paragraph of its own below), and a circus-sized tent miraculously appears before the main outdoor stage to complete the ‘mirage.’ The “Down Home Blues Club,” which is now in semi-retirement and only open once a month, gets a quick dusting, some posters and lights to liven its interior, and its Festival time.
In keeping with DC’s and Selby’s active participation in the Oklahoma school system through their innovative ‘Blues in the Schools’ programs, the Kid’s Village has also been a big part of the event. Face painting, costumes, ‘dragons’ (a la Chinese New Years parades), clay pottery, and puppet shows are made lovingly available by a group of exceptional volunteers. These are all hands-on activities, keeping young minds occupied while the hypnotic sounds of blues slowly soak into the young minds that will be the future of the blues. This Kid’s Village is unlike anything we’ve seen before!!! Around 5 AM Monday morning, the mirage begins to fade. The corner of Rentiesville Road and DC Minner Road slowly begins its transformation back to a peaceful country corner, the echoes of 30 great bands being slowly absorbed into the still Oklahoma dawn. The Down Home Blues Club lets out a slow sigh as it slips back into the comfort of semi-retirement, and the grasses are already starting to grow back. But this is truly a play land with a once-a-year mission to spread its owner’s vision of The Blues far and wide. There are fitting footnotes to this story and to DC and Selby Minner’s long devotion to the blues tradition. Over the weekend, Selby Minner (along with Elvin Bishop, Junior Markham, Steve Pryor, James Walker, and Frank Swain) was inducted into the Oklahoma Blues Hall of Fame, DC Minner received a “Lifetime Achievement Award” from the Oklahoma Blues Hall of Fame, and September 1, 2006 was declared DC Minner Day throughout Oklahoma by Governor Brad Henry. ‘Congratulations’ are indeed in order for all. After saying goodbye to our new found family in Rentiesville we’re back on the road in Blues Country and will keep you posted. -- Tom and Cheryl
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Courtesy of Roots Music Report "where only the music matters". This chart reflects the radio airplay spins of some of the most prominent people in the genre, worldwide. Reporters to the chart include over 100 radio stations who are playing blues; record stores and distributors selling the blues; clubs booking blues artists; and key music correspondents throughout the world. For further information about the Roots Music Report, visit www.rootsmusicreport.com
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