The
Blues Foundation announces its 2006-2007
Board of Directors

MEMPHIS, TENN (September 13, 2006) Officers for
2006-2007 are:
President—Paul Benjamin, North Atlantic Blues
Festival, Rockland, ME
Vice-President—Chip Eagle, Blues Revue and
BluesWax, West Des Moines, IA
Treasurer—Chad Webb, KPMG, Memphis
Executive Committee Members: John Hahn,
artist management, New York City, NY; Patricia
Morgan, artist management, Kailua-Kona, Hawaii;
and Steve Simon, St. John Blues Festival, St.
John, VI.; Domenic Forcella, journalist,
Newington, CT; Fred Litwin, Northern Blues
Music, Ottawa, Ontario, Canada; Patrick Reilly,
Majestic Grille, Memphis, TN; and Chris Sabie,
Newhall, CA; Kevin Kane, Memphis Convention
and Visitors Bureau, Memphis, TN; Bruce Iglauer,
Alligator Records, Chicago, IL; Nashid Madyun,
Gibson, Memphis, TN; and Dorothy Moore, Blues
artist, Jackson, MS
In
recent years, The Blues Foundation has
regained its financial footing to the point of being
nominated for a Stanford Group Financial Excellence
Award for its fiscal stewardship; increased
membership by 45%, including over 200 Blues musician
members; doubled its affiliated organizations to
150; doubled the size of the International Blues
Challenge to bring 130 participating acts to
Beale Street; and revamped the Handy awards into the
universally-acclaimed Blues Music Awards at
the Cook Convention Center.
Headquartered in Memphis, Tennessee, The Blues
Foundation is the hub of the Blues world. With 150
affiliated Blues societies and a membership that
spans the globe, the Foundation’s signature
events—the Blues Music Awards, Blues Hall of Fame
Induction Ceremony, International Blues Challenge
and Keeping the Blues Awards--place it at the center
of the Blues universe. The Blues Foundation is a
non-profit organization, with a mission to preserve
Blues history, celebrate Blues excellence, support
Blues education and ensure the future of this
uniquely American art form. Throughout the year,
the Foundation staff serves the worldwide Blues
community with answers, contact information and
news.
For
more information about The Blues Foundation, please
contact Jay Sieleman at 901.527.2583 or jay@blues.org
or visit our website at
www.blues.org
Eric Clapton
Suffers Hearing Loss From Years Of Loud Performances
Eric
Clapton is going deaf -
because of his own rock concerts.
The legendary guitarist has revealed
he suffers from mild tinnitus,
ringing in the ears, and is
convinced his excessively loud
performances with Cream back in the
60s are to blame.
He
told Daily Express newspaper: "My
hearing isn't ruined, but if I stop
and listen I've got whistling all
the time which I suppose is a mild
tinnitus. I probably had two
100-watt stacks at the height of
things and I would turn one on for
guitar solos. It was just mad!"
Clapton isn't the only 60s musician
losing his hearing. The Who frontman
Roger Daltrey recently revealed
years of rocking stadiums around the
world has taken its toll on his ears
- and forced him to swap raucous
riffs for classical music.
He
said at the time: "If I'm playing
any music at home these days it's
probably classical, mainly because I
haven't got much hearing left. What
I have got left, I want to keep."
AN OPEN LETTER FROM
KENNY NEAL
From: "Kenny Neal"
Subject: Letter to Friends, Family
and Fans
Date: Wed, 06 Sep 2006
Dear Friends, Family and Fans,
Through
the years I have entertained you,
spent time with you, gotten to know
many of you, and can call many of
you my friend. I enjoy making music
for you more than you will ever
know. And you have shown your
appreciation for my efforts in so
many ways. I am and will always be
grateful for your support, your
enjoyment and your friendship.
Now I must take this opportunity to
share something personal with you.
A few months ago, during a routine
physical, I was told by my doctor
that I have an illness that required
extensive treatment and plenty of
rest. The doctor said that the
treatment would take 48 weeks.
However, they said I could finish
out the summer schedule of festivals
and club dates before I began the
treatment. That was very important
to me, as I wanted to see all of you
before I started. Due to the
extensiveness of the treatment, I
must take a year off from
performing. This in no way
diminishes my love of the blues, nor
does it mean that I won't be
involved with all of you. You see, I
am sending out my band, including
the addition of my son, Kenny Jr.,
daughter, Syreeta and nephew, Tyree
to carry on the Kenny Neal
tradition. They will be my
emissaries. They will keep
you posted as to my progress. I
know your love and support for me
will carry over to them. I am still
recording music at home, finishing
up my Christmas CD as you read this.
The
Kenny Neal Band that will be
representing me, looks forward to
bringing you great "blues" joy in
the future. There will be many
surprise guests sitting in with them
so be sure to continue checking the
website calendar. We will all keep
you informed and I welcome your
letters and your prayers. Thank you
for always being there for me. God
Bless and Good Blues To You. You
can write me at the address below or
you can email me at
boogamusic@hotmail.com, I prefer
a written letter since I'll have
alot of time to read.
All The Best,
Kenny Neal
3790 El Camino Real #168
Palo Alto, CA 94306
RECORD LABEL NEWS:
Record
label: 'We'll pay speeding
fines'
Instrumental rock
number getting American
fans a bit reved up

A small
independent record label
has told fans of it's
latest CD it will pay
their speeding fines,
issuing a cheeky press
release claiming
responsibility for
getting drivers 'into
the driving groove'.
Morusa Records
claim to have paid
several fines by drivers
who had contacted the
label saying the track
"Let's Drive", by
singer/songwriter
Plissken,
has so much 'driving'
energy they couldn't
help but exceed the
speed limit.
"The consensus is the
song puts you so deeply
into the driving groove
that the speed limit
becomes irrelevant,"
claims Morusa, before
releasing statements
from the afflicted fans.
"It's a great song, but
you get into this zone
and you begin to speed
without realizing it,"
says Connie Mendez, one
of the recipients of a
speeding ticket in
California, while car
expert Barry Chadwick
adds "Music affects the
way you drive and feel
about your car, and this
song will actually make
you enjoy traffic!" says
Chadwick.
"We've received
complaints from drivers
in eleven states," says
Adrian Martinez,
president of Morusa
Records, the label that
released the CD a year
ago. "We have agreed to
pay for some of the
fines as a courtesy."
Morusa are asking people
who have bought the
track, and received a
speeding fine, to
register themselves on
the website. "Have you
gotten a speeding ticket
because of our song?" as
they try to keep track
of how many people are
being pulled over
because of "Let's
Drive."
The slogan "Get on that
open road and put the
pedal to the metal!" on
the CD's cover mount
probably doesn't help.
MUSIC VIDEOS MAY BE
PULLED FROM
YouTube & MySpace

NEW YORK
(Reuters) - Universal
Music Group, the world's
biggest record company,
is stepping up pressure
against popular online
sites YouTube and
MySpace, accusing them
of infringing the
copyrights of its
artists' music videos.
Universal
chief executive Doug
Morris described video
site YouTube and News
Corp.'s social
networking site MySpace
as "copyright
infringers".
"The poster child for
(user-generated media)
sites is MySpace and
YouTube," said Morris
"We believe these new
businesses are copyright
infringers and owe us
tens of millions of
dollars."
He added, "How we deal
with these companies
will be revealed
shortly."
"This could be the first
salvo from a content
player against business
models based on
user-generated content,
much of which relies on
copyrighted material."
The runaway success of
the free-to-view online
video sites has raised
the question of whether
rights holders such as
record companies and
movie companies should
be compensated, even if
the clips are uploaded
by the users.
To date, YouTube has
said it will take down
any copyrighted material
illegally posted on the
site once it has been
alerted by the rights
holder.
Record companies are
keen to avoid repeating
the mistake they believe
they made when Viacom
Inc.'s MTV was set up 25
years ago -- allowing
their artists' music to
be aired for free.
Morris
in his remarks to
investors on Tuesday
said MTV "built a
multibillion-dollar
company on our (music)
... for virtually
nothing. We learned a
hard lesson."
Christmas
Shopping
just got a whole lot
easier with 2 terrific
compilation CDs being
released
see below...
Happy 30th Anniversary
to Blind Pig
Blind
Pig, one of the world's
leading independent
roots music labels, will
celebrate its "Pearl"
anniversary -
three-tenths of a
century as purveyors of
the finest in blues and
American roots music -
with the release of the
30th Anniversary
Collection, a set of two
CDs and a
bonus DVD that will sell
for the price of a
single CD!
Subtitled
"Pearls From Swine," the
Collection features 33
audio tracks and 6 video
performances from Blind
Pig's illustrious
history, musical moments
that are polished,
timeless, and rare as
pearls.
The two plus hours of
music features blues
greats such as B.B.
King, Buddy Guy, Otis
Rush, and James Cotton;
blues-rock heavyweights
Elvin Bishop, Jeremy
Spencer, and Savoy
Brown; well-established
favorites Tommy Castro,
Rod Piazza, Magic Slim,
and Smokin' Joe Kubek &
Bnois King; and
talented newcomers such
as Big Bill
Morganfield, Albert
Cummings, Hamilton
Loomis, and Harper.
The collection's DVD
spotlights live
performances from
Castro, Piazza, Kubek &
King, Magic Slim, Popa
Chubby, and Reverend
Billy C. Wirtz.
Happy 12th Anniversary
to Ruf Records
In
November, blues label
Ruf Records
will
celebrate their 12th
anniversary with the
release of "Where Blues
Crosses Over- 12 Years
of Ruf Records
Anthology"
This
release will be a
special collectors
edition that includes
one CD with 13
tracks, and one DVD also
with 13 tracks.
Included
on the CD are Sue
Foley, Candye Kane, Ian
Parker, Omar & The
Howlers, Larry Garner,
Ana Popovic, Kevin
Coyne, Aynsley Lister,
Canned Heat, Friend 'n
Fellow, Bernard Allison
and Luther Allison.
On the
DVD look for Blues
Caravan, Sue Foley, Bob
Brozman, Bernard
Allison, Omar & The
Howlers, Robin Trower,
Ana Popovic, Ian Parker,
Imperial Crowns, Aynsley
Lister, Walter Trout,
Friend n' Fellow and
Luther Allison.
BLUES ARTISTS ON
THE RISE

The Blues Festival E-Guide and
SonicBids are proud to introduce you to our
next "Blues Artist on the Rise".
Ladies and
Gentlemen....meet Roxy Perry!
Roxy Perry fronts an amazing band of
well seasoned musicians with powerful vocals
and harmonica playing. Her high energy
repertoire consists of original songs from
her three albums as well as original
renditions of classic cover blues, swing,
R&B, and jazz.
"My gigs are not
for wallflowers or the faint-hearted. We
have huge fun" -- Roxy Perry
A
child prodigy, Roxy started out fronting
swing bands at the famous Glen Island Casino
in New Rochelle, New York and performed her
first major concert at the Shrine Auditorium
in Los Angeles, California at age 9. In her
early teens, she began fronting her own
bands. By her late teens, she was working
six nights a week with her 10-piece soul
band at the Peppermint Lounge on 45th Street
and Times Square in New York City. It was
there that she was discovered and did her
first studio recording as a back-up
vocalist. This led to her going on tour for
four years with the pop-rock band, Dawn,
representing their hits of the time. The
band headlined concert tours with Kenny
Rogers, The Carpenters, Rare Earth, Gladys
Knight & The Pips, Iron Butterfly, The Nitty
Gritty Dirt Band, Mike Nesmith, Mark Lindsay
and many others. In the ‘80’s an EP was
released on Personal Records, produced by
Richie Cordell, which was high on the
Billboard charts for two months.
Roxy launched her blues career in the late
‘80’s, when she quickly became known for her
exciting live performances at clubs, concert
halls and festivals throughout the U.S. and
abroad and won her reputation as “the real
deal” through her riveting live performances
and highly acclaimed CDs in blues and jazz
circles worldwide.
In recent years Roxy has appeared on the
concert bill with Rod Piazza, Shamekia
Copeland, Leon Russell, Marcia Ball, John
Mayall, Saphire, Hubert Sumlin, Gatemouth
Brown, Koko Taylor and a host of others.
As
a recording artist, Roxy has performed,
produced and written the material for three
highly acclaimed CDs that have been added to
classic female Blues artist lists on radio
stations throughout the world. They are
titled HI HEEL BLUES (Monad Records),
ROXY PERRY, NEW YORK BLUES QUEEN (BluePerry
Hill Records), and her most recent CD,
BACK IN BLUESVILLE (BluePerry Hill
Records). Many of her original songs appear
on a number of compilation blues CDs. Her
unique version of HOUSE OF THE RISING SUN
appeared on the compilation album, PUBLIC
DOMAIN (Purchase Records), which was
nominated for a Grammy award.
Roxy is also featured on a long list of
Blues albums as both backup and featured
vocalist. Blues legend Roscoe Gordon
chose Roxy to sing three part harmonies on
his entire last release that aired
worldwide.
And, the media loves her! The syndicated
radio program, PORTRAITS IN BLUE, which
profiles Blues legends and legends in the
making, produced an hour-long feature on
Roxy Perry. This historic documentary airs
regularly on NPR stations. Her music
continues to be heard regularly on MUSIC
CHOICE, DIRECT TV, hundreds of
radio stations, web and podcasts worldwide.
Recent highlights for her current album,
ROXY PERRY, BACK IN BLUESVILLE include
features on the legendary KING BISCUIT
HOUR and was chosen as the Bluesbreaker
of the Week on the HOUSE OF BLUES RADIO
SHOW hosted by Elwood Blues.
Earlier
this year a panel of industry judges selected
BACK IN BLUESVILLE as the "Best
Self-Produced CD" for 2005.
Currently the title
song BACK IN BLUESVILLE is one of 20
nominees competing for the 2006 "Just
Plain Folks 2006 Song of the Year."
Roxy and her band are
currently back in the studio working on
their next release and are looking forward
to 2007 with plans for performing at
blues festivals around the country.
Learn more about Roxy
Perry when you visit
www.roxyperry.com
FESTIVAL REPORT

29th
Mississippi Delta Blues & Heritage Festival on
September 16 in Greenville, MS.
Entertainers include Denise
LaSalle, Steve Azar, Mel Waiters, Jerry Kattawar, T
Model Ford, and many others. The Festival is
sponsored by M.A.C.E., a non-profit that will use
the proceeds for preserving the heritage of the
Delta, assisting Katrina and Rita evacuees, and
helping the New Orleans Musicians Hurricane Relief
Fund. For more information, please visit
www.deltablues.org and
www.nomhrf.org.
The Blues
Festival E-Guide will be following for
the next several weeks the blues travels
of newlyweds Tom Yearnshaw and Cheryl
O'Grady. Cheryl is a sales rep for The
Blues Festival Guide magazine, enjoying
the fruits of her labors.
ON THE BLUE HIGHWAY WITH
TOM AND CHERYL
We
Got Busy--So much has happened this last week we
only have room for the highlights.
We
hit Memphis and stopped by the Blues Foundation
to swap stories with Joe and say hello to
Jay and Percy. Then it was a walk across
the street to The Cotton Museum. We did the
self tour and found a good section on Blues (we
understand the Blues Foundation vastly contributed
to the display).
The
following day we headed down the Blues Highway “61”,
visited famous Blues gravesites and the remains of
juke joints, and took side trips to small towns like
Robinsonville and Lula -- famous for
their blues history.
Tom
and I found our way over to the Tunica Museum
which has a small Blues section and a lot of
information on the Civil Rights of the 60’s. While
checking out the Museum we happened to run into
Civil Rights leader, Calvin Norwood and had a
great conversation with him. What a treat!
We
made it over to Helena, Arkansas and visited
Rosie Swan at the Sonny Boys Blues Society
headquarters and toured the Delta Blues Museum.
This is a museum rich in Mississippi Blues history
and a must stop on any blues lovers visit.

The Gulf Coast Blues Festival Board (holding a Blues
Festival Guide)
Then it was down to the Mississippi Gulf Coast
Blues Festival, Pascagoula, MS. This is put on
by the Mississippi Gulf Coast Blues Commission. We
arrived two days early to attend the Children’s
Musical Instrument contest, which is presented in
conjunction with the festival. Both Tom and I are
very interested in music programs for youngsters, so
this was a highlight for our trip. We also went to
the pre-fest party but were tired and left before
headliner O.B. Buchanan really got going.

Devoted fans of O.B. Buchanan hoping to become part
of the show
The
following day one of the ladies said to us, “We
thought he was going to drop his pants and all he
did was flick his tongue”. We soon found out what
she meant the next day at the festival.
Entertainment is quite provocative along the Gulf
Coast, it would seem. O.B. came out, did a whole
lot of gyrating, bumping and grinding. The women
were screaming, swooning, and crowding closer to the
stage. Next, O.B. called some of the ladies dancing
in the audience up on stage. One shapely lady with
tight fitting pants was lifted in the air, where she
split her legs open while O.B. kissed her “na-na.”
The crowd went nuts! He then grabbed his ‘na-nas”
and teased some more. Enough teasing, he said, and
this time he did drop his pants before he left the
stage!!! Yikes! We guess you could say he did more
than ‘flick his tongue.’
Visiting the Mississippi Gulf was wonderful, and we
were treated with warm and open arms. Partying with
Katrina survivors, who have faced – and overcome --
such adversity and who still maintain such a
positive attitude, will stay with us for a lifetime.
Alas, it’s time to go, so we again say goodbye to
another new ‘family’ and head north.
Next stop – Mississippi’s capital city of Jackson.
If you’re interested in hearing about lunch with
Bobby Rush and a private lesson in the Bentonia-style
Blues from Jimmy “Duck” Holmes, tune in for
next week’s update.
Back on the Blues trail,
-- Cheryl and Tom
